布下翔碁 embracing-damage 022 積層 後関裕士の作品一覧はこちら

後関裕士の作品一覧はこちら

and the kiln change to a brownish brown

and has borne fruit in this unique form

then firing it in a wood-fired kiln and then firing it several times to create "another Kiseto

but in this work he deliberately takes advantage of the large distortions caused by hand-twisting

布下翔碁 embracing-damage 022 積層 後関裕士の作品一覧はこちらA new chawan titled embracing damage by Shogo Nunoshita. This work is reconstructed from shards of early Imari ware using a kanshitsu technique finished with gold. Staples rendered in lacquer and maki e quietly bind the fragments together, asserting connection rather than concealment. Distortions characteristic of Imari ware, along with traces of pieces fused together during firing, are intentionally left intact. These marks preserve the depth and