Clara de Asis Emmanuel Holterbach we recognise the material but

we recognise the material but have no indication as to how long it might be repeated for

then at first the Canons and Gustave Roud are far away from each other

It’s a heightened

and it will be worth seeking out

but also to compose in the opposite direction: uncertainty

Clara de Asis Emmanuel Holterbach we recognise the material but1 Do nothing 12: 18 2 Know nothing 5: 47 3 Nothing lasts I 3: 35 4 Say nothing 3: 31 5 Nothing lasts II 3: 31 6 Be nothing 10: 24 Reviews Marseilles based Spanish composer and musician Clara de Ass delivers six lucid and often meditative works for prepared guitar and percussion on 2018's Do Nothing. The title piece collides subtle harmonies from patiently plucked strings and the sustained ringing of what sound like Tibetan singing bowls, while "Know