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dyed with cherry blossom branches and ginseng leaves
This is a masterpiece where you can feel the coexistence of tension and relaxation in the distortion brought about by the artist's design and nature
and the piece's strength is felt by the scorched edges from the shoulder to the bottom and the back
Milky blue glaze flows like a waterfallThe work was transformed into a green covered with ash
Oribe tea bowl by Miki Matsuzaki
布下翔碁 embracing-damage 033 ゴブレット dyed with cherry blossom branchesembracing damage Tea Bowlby Shogo Nunoshita This latest work by Shogo Nunoshita reconstructs fragments of early Imari porcelainsome softly tinged with blue and layered as if leaning into one anotherthrough the kanshitsu (dry lacquer) technique, finished with pure gold maki e. The joined areas, as well as the boundaries between ceramic and lacquer, are bridged by kintsugi like metal staples rendered in lacquer and gold, imbuing the piece with a strong
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