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and the traces left on the sacrificial objects and spaces from which her final inverse forms are derived
each of the sixteen large-scale panoramic photographs presents a exterior scene from a postindustrial urban landscape
featuring new drawings made between 2015 and 2017
all housed in a slipcase
his subsequent work reveals a shift to methodical experimentation
Howard Hodgkin: In the Pink Morgan Falconer and the traces left onThis book was published on the occasion of Howard Hodgkin: In the Pink at Gagosian, Hong Kong, the artists first exhibition in Hong Kong. With paint strokes of varying depth and vigor, Hodgkins works, completed by 2014 and 2016, convey fleeting private moments and intense recollections. The painting Now (201516) embodies an interchange between light and dark, time and feeling, while Always Afternoon (2016) transforms a temporal memory into an
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