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In The Overcoat
vibrant inner lives and the grim elements of existence are registered in equally sharp detail in a starkly bleak but sympathetic vision of life on earth
Why did some labour migrants from Uzbekistan
daily life went on - people fell in love
and documents from recently-declassified archives
The Making of Andrey Zvyagintsev's Film Elena Sergei Khrushchev and Timothy Benson In The OvercoatElena through the eyes of the films creators. Elena from the perspectives of the director (Andrey Zvyagintsev), scriptwriter (Oleg Negin) and director of photography (Mikhail Krichman). Elena approached from different angles. Elena as a story and a staging. Elenaconveyed through colour and sound, through space and rhythm. Elena as a mode of existence for the actor within a shot, for an individual within a world. What is a contemporary film maker, what
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