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Balthus turned to antecedents including Piero della Francesca and Gustave Courbet
and conceptual approaches to oil paint itself
were “good concepts painted badly
in conjunction with Damien Hirst: End of an Era at Gagosian
It features an interview with Ruscha by Leta Grzan and Viet-Nu Nguyen
Rudolf Stingel Robert Dalrymple Balthus turned to antecedents includingThis book was published on the occasion of the exhibition Rudolf Stingel at Gagosian, 555 West 24th Street, New York. The volume brings together several series, including self portraits, carpet paintings, and gold paintings. Based on a photograph of himself as a young man, Stingels photorealistic portraits point to the repetition and meditation involved in nostalgic remembering. The carpet paintings feature a ghostly pattern rendered in silver paint,
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