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Bickerton’s own commentary is interwoven with essays by artist Jake Chapman
and a concluding section of biographical notes on the thirty-four featured artists
In Lydia Millet’s dreamlike fable Lyrebird
manipulating conventions of scale and representation in trompe l’oeil depictions of shadows
the artist’s debut exhibition with the gallery
Basquiat Before Basquiat: East 12th Street, 1979–1980 Veronique Wiesinger Bickerton’s own commentary is interwovenThis catalogue was published on the occasion of Basquiat Before Basquiat: East 12th Street, 19791980 at the Museum of Contemporary Art Denver. Featuring a cache of paintings, drawings, photographs, and archival material from the period during which Jean Michel Basquiat shared an apartment in New Yorks East Village with his friend Alexis Adler, the exhibition provided rare insight into the Basquiats creative life at a time that shaped his artistic
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