Damien Hirst: Visual Candy and Natural History Philippe Roger working in columns from top

working in columns from top to bottom

including Guidi’s first triangular-shaped canvases

more abstract canvases in which schematic black branches stand out in sharp relief against backgrounds of sweeping horizontal brushstrokes

With its listless eyes

The painting is considered to be Rembrandt’s greatest late self-portrait and is accompanied here by examples of the genre from leading artists of the past century

Damien Hirst: Visual Candy and Natural History Philippe Roger working in columns from topThis book was published on the occasion of the exhibition Damien Hirst: Visual Candy and Natural History at Gagosian, Hong Kong, which included more than thirty paintings and sculptures by Damien Hirst from the early to mid 1990s. The Visual Candy paintings allude to art historical movements such as Impressionism, Abstract Expressionism, and Pop Art, while the Natural History sculpturesglass tanks containing biological specimens preserved in