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images of Wood’s family members and domestic surroundings
” in which he recounts his childhood enthusiasm for Zorro and Superman and reflects on issues of celebrity and death through the figure of George Reeves
knockabout comedy and extreme psychological and physiological tension
The publication reproduces 150 of Adams’s most significant works in color and is introduced by Alyssa Alexander
static picture
Roe Ethridge: Rude in the Good Way Lucio Fontana images of Wood’s family membersComprising a mixture of fashion shoots, portraits, still life arrangements, and interior scenes by Roe Ethridge, and edited by the artist and Sarah Chaplin Espenon, Rude in the Good Way features over seventy plates and continues Ethridges hallmark investigation of conventional photographic categories and modes. Exploring desire as both subject and method, the selection of images represents a visual bricolage of commercial glamour and private
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