Christopher Wool Glenn Wharton Astrachan examines Twombly’s work through

Astrachan examines Twombly’s work through the entwined figures of Orpheus—lyre player

locating incidental mishaps and nocturnal banalities in the streets of Rome as if it were the scene of innumerable crimes

The title page bears a parenthetical note: “Ce titre date de janvier 1937

While Ruscha notes that the word “sin” signifies “without” in Spanish

and a reflection by designers Jeremy Mickel and Forest Young on the open-source Redaction font designed for the project

Christopher Wool Glenn Wharton Astrachan examines Twombly’s work throughThis poster was designed by Christopher Wool in 2025, in conjunction with his exhibition at Gagosian, Grosvenor Hill, London. Featuring over fifty new and recent works on paper, sculptures, and prints, the expansive presentation highlighted the complexity of Wools image making process and the essential interconnectivity of his practices. Combining the handmade and the mechanical, spontaneity and control, Wools works engage with the limits of