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George Washington
Every traced cone of darkness here feels less like astronomy than liturgy
An Acknowledgment From the Delegates to the Philadelphia Commercial Museum
when the Empire State's wards were already rehearsing the quarrels over immigration and loyalty that would define the coming decade
The crowd moves like ink across the plate
Daniel Webster 1852 Kalamazoo_antique George WashingtonDaniel Webster 1852 a portrait from the final year of the Massachusetts orator's life, when the great voice of the Senate had spent itself defending the Compromise of 1850 and the Union it could not, in the end, save. About the Source Bella Frye sources artifacts from the great American historical archive the Library of Congress, the National Archives, regional historical societies, and the lithographic publishers (Currier & Ives, Kurz & Allison,
