後関裕士 桧山備前茶盌 Emerald flowsion 織部焼 若尾経先生のマスターピース、練込青瓷ぐい呑。二重貫入の美しい練り込みの青瓷に、赤窯変と土見せが景色を造っています。高台脇の釉溜まりや二重貫入など、通好みの見どころ多い作品です。

若尾経先生のマスターピース、練込青瓷ぐい呑。二重貫入の美しい練り込みの青瓷に、赤窯変と土見せが景色を造っています。高台脇の釉溜まりや二重貫入など、通好みの見どころ多い作品です。

blending seamlessly with the surrounding blue and ash-glazed areas—an integration that speaks to the artist’s refined control and sensitivity

Bearing the title “Communion

This piece is a combination of several early Imari pottery fragments with slightly different textures and reconstructed using a dry lacquer technique with gold coating

The color and kiln variation are unique

後関裕士 桧山備前茶盌 Emerald flowsion 織部焼 若尾経先生のマスターピース、練込青瓷ぐい呑。二重貫入の美しい練り込みの青瓷に、赤窯変と土見せが景色を造っています。高台脇の釉溜まりや二重貫入など、通好みの見どころ多い作品です。A Bizen chawan by Goseki Hiroshi, a ceramic artist working in Ibaraki Prefecture. Hiyama is the name of the area in Ibaraki where the artist is currently based. On the front of this chawan, a faint green born from ash glaze kiln effects is overlaid with flowing golden glaze, creating a beautiful landscape together with the fired expression of the exposed clay. As the bowl is turned, the vivid scarlet kiln effects characteristic of Bizen appear, giving