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while lacking vast negative spaces
it is striking to to observe the seated dog looking longingly up to Lambert
Melbourne 1995 - 2009
Watson's addition of Evans kneeling on the table echoes Caravaggio's revolutionary presentation of his subjects
Archival Pigment Print on Cotton Paper
Tarmac (featuring Dolph Lambert) Model_Kris Evans while lacking vast negative spacesUnframed 45 x 46 cm 1'6" x 1'6" Framed 67 x 68 cm 2'2" x 2'2" Oil on board 2016 A Private Collection, Sydney Description In this very striking and intriguing painting, Watson has bought together elements captured during his travels in Europe. This is the first full frontal nude Watson has painted of Bel Ami's Dolph Lambert, who appears comfortable with the attention of the Carabinieri. He stands with a downcast gaze and is strangely incongruous to the
