to light, and then return—: Edmund de Waal and Sally Mann Cup dating from 1919 to 1965

dating from 1919 to 1965

To create each black-and-gold painting he uses a stencil to render inverted figures on blank canvas

and their use of color and shape as warning signs

nicknamed “The Rubberman

and objects

to light, and then return—: Edmund de Waal and Sally Mann Cup dating from 1919 to 1965This book was published on the occasion of to light, and then return, an exhibition of works by Edmund de Waal and Sally Mann at Gagosian, 976 Madison Avenue, New York. The result of an ongoing exchange of ideas between two artists who are also celebrated writers, this is the first time the two have shown together in a dedicated exhibition. to light, and then return features Manns tintypes of still life arrangements of old tools and other objects and