Ed Ruscha: Further Landmark Decay Michael Berk Working with traditional craftspeople

Working with traditional craftspeople

This poster featuring Hare (2012) was produced in 2012

The Winter 2019 issue of Gagosian Quarterly features a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover

It also features a foreword by Richard Calvocoressi and essays by Anita Feldman and Anne M

This volume is the first to focus exclusively on this aspect of his work

Ed Ruscha: Further Landmark Decay Michael Berk Working with traditional craftspeopleEd Ruscha created the lithograph Further Landmark Decay, printed on Hahnemhle wove paper, with Hamilton Press in Venice, California, in 2006. Attracted to the reproducibility and happy accidents specific to the medium, Ruscha began making lithographic editions in the early 1960s, infusing the Pop and Conceptual sensibilities of the time with vernacular wit and melancholy. His refined prints engage a breadth of formal themes, from text and typography