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It originates from my VR experience created during an artist residency at Moskosel Creative Lab in Lapland
their forms wavering between flesh
from which symbolic creatures and figures emerge through drips and translucent layers
the piece offers a contemporary meditation on collective grief
This diptych is part of a series of paintings I call 'Dreamscapes'
Belated Arrivals hypha-gallery-mayfair It originates from my VRMy practice deals with maintenance as a condition that both stabilises and erodes its object, a labour that insists on sustaining a system, assumes its continuity even when it shows signs of failure. Simultaneously an act of care and of attrition. I work with its residue, reconstituted into fibre and woven onto spatial looms that resist permanence, existing as membranes between body and architecture. The work holds attention on what it costs,
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