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holding a constructed
using its familiarity
Miguel hopes that the energy and vibrancy of this ancient story will come across in the painting
a series that appears abstract but is rooted in early 20th-century British economic maps showing locations for extracting resources such as iron
histories of natural extraction are ever present
First Note Starts hypha-gallery-east-village holding a constructedThis work is part of an ongoing series shaped by my engagement with the desert as both physical site and poetic, existential space. Through painting, I explore the relationship between the human body and landscape, using the canvas as a site of material and emotional inquiry. Built through layers of oil paint and partially veiled with pigments and sand, the surface echoes erosion and sedimentation. Here, memory settles like dust, and silence becomes a
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