Providence Sebi im Atelier the feeling of the end

the feeling of the end of summer holidays growing up in the 90ies

Basierend auf einer Kindheitserinnerung entwickelt er die Bildsprache Werk für Werk weiter

kombiniert mit der fragmentarisch entindividualisierten Gestik – das Hineingreifen in die eigene Hose – destabilisiert traditionelle Zuschreibungen von Macht und Kontrolle

wird nicht nur die Polizei durch den Kakao gezogen

allowing Francesca to play with opacity and translucency in a single composition

Providence Sebi im Atelier the feeling of the end"'Providence' is a clever painting that has a sort of distortion which is not immediately noticed. This is of the subject who is seated on the floor which offers an unconventional way to depict a figure in space. The head turns into the entire rectangle shape of the painting and the legs are revealed crossed in the corner. The subject chooses to look at a chair and not sit on it, but rather on the floor. This piece is painted with acrylic and colored